Annotations for Subject-headings: Self-determination-national--mexico

This is Latino USA, the Radio Journal of News and Culture. I'm Maria Hinojosa. Today on Latino USA, a celebration of Hispanic heritage.

Heritage simply means those traditions and beliefs that are passed on to us by our forebears.

Forebears. Oh, I love it.

Also, a Latino business summit and some thoughts on the meaning of Mexican independence.

As Mexicans and Mexican Americans, Hispanics, Chicanos, and the descendants of Tejanos like me, every battle makes us braver in our marches, the people we are and will become.

That's all coming up on Latino USA. But first, las noticias.

Un río dos Riveras, one river two Riveras is the title of a book written by Dr. Guadalupe Rivera, a writer and historian. Dr. Rivera is the daughter of famed Mexican muralist Diego Rivera. Dr. Rivera is visiting this country, and she joins us now from Austin, Texas where an exhibition of her father's work is opening at the Mexic-Arte Museum. Welcome, Dra. Rivera.

Thank you, Maria Hinojosa. I am very pleased to meet you.

There are probably a lot of people who don't know all of the facts about your father, and they may have one question on their mind about you. And that question might be, are you the daughter of Diego Rivera and Frida Kahlo?

No, no, no. My father was married several times. And I am the daughter of Diego Rivera and Lupe Marin. She was the second wife that my father had.

Dr. Rivera, there is so much known about your father. I mean, his murals inspired a whole movement across the world. I mean, he's one of Mexico's most important artistic icons, but what is the one lasting memory that you have of your father that might tell us a little bit about who he was as a human being, as a person, as a father.

He was an extraordinary person because he allow my sister and I to become professionals and to go to university and to study and to learn how Mexico is and how revolution was and to be a real Mexican because he was very proud to be a real Mexican, and he teach us how to really appreciate who we are as member of a very important cultural movement.

One of the things, Dr. Rivera, about your father was that he really wasn't into... As far as I can tell and remember just from reading about him and seeing his work, which was very political, is that he really wasn't into the commercialization of art. I mean, he was really into art for communicating, what you've said, a history of the people of Mexico. But your father's work has now sold in this country and across the world for hundreds of thousands of dollars and really has an incredible market value. How do you think he would've reacted to this what is, I guess, the commercialization of his art in the art world?

Well, I think that he was not so proud of that as he was proud about the mural painting he realize in public buildings. He never want to commercialize his art. He painted paintings, let's say this small paintings, all canvas or all things like that or watercolors because he thought that he must have a way of life when he cannot paint murals. But in a way, his enormous desire was to paint murals much than everything in life.

Your father also of course loved Mexico, his country, and he was really quite radical in his politics and extremely nationalistic. What do you think your father, Diego Rivera, would've thought of NAFTA, the tratado de libre comercio- the free trade agreement?

I think that he was not very, very happy about it.

Why?

He always talk about that the necessity that each country keep his own identity. And maybe, he will realize that with NAFTA, the identity of Mexican people is going to be lost an enormous way.

And there's an interesting turn of events right now because on this celebration of el dies y seis de septiembre, or Mexican Independence Day, the 16th of September, you will be here in the United States. Your father's paintings will be on exhibit in Texas, and Governor Ann Richards of Texas will be in Mexico during the grito there. What does all of this say about Mexico y los estados unidors, the United States at this point in time?

Personally, I think it's a paradox, but at the same time, I am very pleased to be asking to come here as a guest to this exhibition because, in a way, my father is, again, a bridge between both countries as he was before in the '30s when he was asking to come to United States to paint the murals. It was in a special moment in the Mexican history in the '30s in which it was necessary for the Mexican government to establish a stronger contact with United States. And I consider that now, it's important to Mexico, to my country to establish a stronger contact with United States again.

Dr. Guadalupe Rivera is the daughter of Mexican muralist, Diego Rivera, the exhibit Diego Rivera and the Revolution in Mexico in Times of Change will be on view at Austin's Mexic-Arte museum through December 31st.

So people always ask, "Yo, when is Hispanic Heritage Month anyway?" And then you have to tell them that it's not really just one month but a four-week period of time that starts in the middle of September when El Salvador, Peru, Nicaragua, Mexico, and several other Latin American countries celebrate their independence from Spain. The month then runs through mid-October through Columbus Day or el día de la raza, as it's known in Latin America. For many Latinos, this is a time to look back at history and to look forward to see where we as a group fit into this country's future. Commentator Barbara Renaud Gonzalez says that in particular, the 16th of September, the equivalent of the 4th of July for Mexicans makes her realize she really is part of a community.

I'm not afraid to look in their eyes, me, the zippy Latina with the import car and the University of Michigan sticker. They, my Mexican hermanos breathless in the Texas sunrise, clinging to the back of a Ford Ranger, almost ashamed that they are the only ones riding like this on the open road of the LBJ carretera. Or maybe it's too obvious that they're on their way to make another garden out of Plano Prairie for a minimum wage. I smile. I am almost ashamed to not go with them. I love my Mexican people. On September 16th, my construction heroes, Plano gardeners, North Dallas maids, my café con leche waiters and I will come together to celebrate the 16th of September, el dies y seis de septiembre, which is the anniversary of Mexico's independence from almost 300 years of Spanish conquest. On the morning of September 16th in 1810, Father Miguel Hidalgo Y Costilla delivered his grito de dolores, his cry for independence in the city of Dolores, Mexico, the city of pain, to claim independence from Spanish rule.

Our celebrated Mexican independence is not like American democracy. The Puritans were free the day they left England on the Mayflower. The Spaniards, however, transformed the America they discovered with every touch and every torment. They came to evangelize their Catholic tradition and so redeemed the Spanish crown with pure Indian gold. While the Puritans established independent colonies from the beginning, the Spaniard established dependent missions.

So, when Mexican independence rang in 1810 and Father Hidalgo exhorted his campesinos to rebellion with “Mexicanos, ¡Viva México!” He must have cried for Mestizo courage and independence from Spain and for all the battles yet to come. As Mexicans and Mexican Americans, Hispanics, Chicanos, Latinos, Pochos, and the descendants of Tejanos like me, every battle, every cry makes us braver in our marches, the people we are and will become. While Mexico's battles may be more anguished than those of the United States, this quest for the Mexican soul is still in transition and hardly defeated. Thus, every September 16th, every dies y seis de septiembre, we celebrate this realization of the Mexican self. I love my Mexican people. Original beauty on Spanish bones. Look at the hands in the ecstasy of expression, rainbows of skin on the Indian profile. We are a jeweled people. I know that the Indian gods and goddesses live among us transformed into the Mexicans I see every day, especially on September 16th, el dies y seis de septiembre. I know. I look in their eyes.

Commentator Barbara Renaud Gonzalez writes and teaches in Dallas, Texas.

[festive mariachi music]

In Mexico and Mexican American communities from Los Angeles to Chicago, the night of September 15th is the night of el grito, (singing) literally the yell or the scream, which commemorates the occasion in 1810 when a parish priest named Father Miguel Hidalgo called his countrymen to rise up against the tyranny of Spain with the cry Mexicans que viva méxico.

Viva los [unintelligible] que nos dieron patria y metal .

¡Viva!

Viva Hidalgo.

¡Viva!.

Viva Morelos.

¡Viva!

Viva Guerrero.

¡Viva!

Viva México.

¡Viva!

Viva México.

¡Viva!

Viva México.

¡Viva!

In Austin, Texas, this event was celebrated with a nighttime block party outside the Mexican consulate.

[mariachi music]

I think it shows that we still care about our culture, that it hasn't died, and I hope it never does because that means part of us dies.

It's a really very nice...Event.

And we hope that the American people can come little bit more towards our costumes and our music and our hearts also.

We came here with intention to work and lent our force, labor force, I should say. And we want to be able to also participate in the intellectual development of the Mexico and the United States. So I believe that anybody that wants to disregard our ability to group together and do things like this is kind of not paying attention what the reality of our country formed with immigrants anyway is happening.