Annotations for Subject-headings: Entertainment

After stealing the show in movies like Do the Right Thing, White Men Can't Jump and Untamed Heart, actress and dancer, Rosie Perez will soon star in films with Jeff Bridges and Nicholas Cage. Perez is also starring in an HBO special which puts the spotlight on rap music. From New York, Mandalit Del Barco profiles Rosie Perez, the multi-talented Nuyorican.

Hi! Oh, I know where that is. That's in this neighborhood, babe. [nat sound]

At Fort Green Park in Brooklyn, up the street from Spikes Joint where filmmaker Spike Lee sells clothing and memorabilia, Rosie Perez sits on a park bench to talk about growing up not far from here. She remembers living with a big extended family in a low income area of Brooklyn called Bushwick. That's where she caught the dancing bug that eventually made her famous.

Because they used to go to the disco all the time with the hustle and everything. So, they used to use us as their partners and stuff and they would burn holes in our stockings and then our socks. They would twirl us around so much. I'm like, "All right, man, I'm tired." "Get up!" They wanted to be the king of the disco, you know, and stuff. And that's how we started.

[highlight hip hop music]

After high school, Rosie moved to Los Angeles to study biochemistry and ended up choreographing for singer Bobby Brown, rapper LL Cool J and Diana Ross. Her big screen break came in 1989 when Spike Lee cast her as Gloria, who danced like a prize fighter and cursed up a storm as his girlfriend in Do the Right Thing.

That's it. All right? [movie excerpt]

I have to get my money from Sal. I'll be back. All right? [movie excerpt]

Shits to the curb, Mookie, all right? And I'm tired of it, all right? Because you need to step off with your stupid ass self, okay? And you need to get a fucking life, Mookie, all right? Because the one you got, baby, is not working, okay? [movie excerpt]

After Do the Right Thing, Rosie landed a gig choreographing the Fly Girls on TVs In Living Color, where she brought hip hop dancing from the New York streets and nightclubs into mainstream America. After stints on TV shows like 21 Jump Street, Rosie's film career took off, playing rather loud characters like she did in the film Night on Earth. To avoid being stereotyped, Rosie says she fought hard to win roles like the Jeopardy! game queen in White Men Can't Jump.

Jeopardy! is going to call Billy. It is my destiny that I triumph magnificently on that show. [film excerpt]

Who is Peter the Great? Who is the Emperor Constantine? [film excerpt]

It's like when people think of Latin women, they think of kind of just sex-crazed maniacs that are kind of lightheaded and not really that smart. You know what I mean? And everything. And I hate that. And that's why I went after White Men Can't Jump with a vengeance because you got to be smart to get on jeopardy and win money. And, to my agents, I said, "I got to get this role, man. And I got to keep her Puerto Rican, man." I know they wanted a white girl, an Irish girl from Boston, initially for the role. I said, "But, yo, if I get in there, I got to represent, man. You got to keep her Puerto Rican, man." Look at films, look at TV. We're always the maid. We're always the one that's having the extramarital affair. Wearing the tight dress and ay... You know, all that and everything. That's fine, but don't pigeonhole us and don't have that represent us as a whole.

Soon Rosie Perez will be starring with Jeff Bridges in Fearless and with Nicholas Cage and Bridget Fonda in Cop Gives Waitress $2 Million Tip. She's also producing her own projects, including a possible film about the Puerto Rican independence movement. Comedian David Alan Grier works with Rosie on In Living Color.

The thing I like about her is that she's a hustler. I mean, she has this plan. She's building this power base. And she's got her own company, she's managing groups. I'm going to be asking her for a job in just about two or three years. She's a powerful woman.

[hip hop music highlight] [nat sound]

Grier also calls Rosie the harbinger of hip hop, youth culture that includes street dancing, graffiti and rap music. HBO, in fact, is now airing a series on hip hop that she executive-produced. The show Rosie Perez Presents Society's Ride features cutting edge rappers before a live audience at a New York nightclub. While Leaders of the New School, Brand Nubian, and Heavy D and others rock the crowd. Rosie gives the flavor backstage and on the dance floor. [background hip-hop music]

Hi!

Hi!

Society's Ride means... Leaders of the New School, the Electric Records recording artists, they gave me the name. Because I said, "I want to take people on a ride to my world. I want them to see what I feel and what I do and how I be living and everything." And they were like, "Society's ride. Society's ride." And so it just stuck and everything. And the hip hop community gets it. Everybody else goes, "what?" But that's cool. But that's what the show is about. We're showing you real. We'll teach you. We'll take you on the ride. We're in the driver's seat this time.

Rosie says HBO was nervous about the rap special at first, thinking the material would be too racy for TV. But at a time when radio and TV waters down or sensors rap lyrics, she says she fought the network to let the artists show the real deal, uncensored. With this latest project, Rosie hopes to be taken seriously as a Hollywood producer because being boss is something she loves.

I feel great. I keep all the money.

The show Rosie Perez presents, Society's Ride is airing Friday nights on HBO. For Latino USA. I'm Mandalit Del Barco in New York.

Recently, San Francisco-based comedian and performance artist, Marga Gomez received rave reviews for her one-woman off-Broadway show called Memory Tricks. Now, Gomez is working on a television adaptation of Memory Tricks, which looks back at her New York childhood with a showbiz family. From New York, Mandalit Del Barco reports.

Marga Gomez is the funniest simulated lesbian comic and performance artist who describes herself as somewhat of a misfit Latina.

My name is Gomez, and I look Latina and I feel that. I mean, I can eat spicy food, but I can't dance salsa or speak Spanish.

Marga is the daughter of a Puerto Rican exotic dancer and a Cuban impresario. Her solo show Memory Tricks is set in her precocious New York City childhood, when her flamboyant mom and dad were considered the Lucy and Ricky of New York's Latin vaudeville scene. [highlight music]

[background music] I thought of them as big, big stars. You know, you couldn't get to be bigger stars than my parents. Actually, they were stars in their community, and their community was a very poor community, so they were like poor stars, but I thought we were just like royalty. [highlight music]

In the 1960s, Marga's dad, Willy Chevalier, was a comic actor who produced theater reviews known as Spanish Spectaculars, [background music] featuring salsa stars like Tito Puente and Celia Cruz, female contortionists, magicians and other acts. He put together sketches called La Familia Comica, which sometimes showcased her mom's Afro-Cuban dancing, they're pet chihuahua, and little Marga Gomez.

[background music] I had delusions of grandeur from a young age, because my father would just tell me all these fantastic things, I was going to be the next Shirley Temple and all that. You know? I couldn't sing, couldn't dance, but somehow I was going to be the non-singing, non-dancing, Puerto Rican-Cuban Shirley Temple.

[background music] Marga says when they got divorced, she had to choose between her dad and her mother, Margarita Estremera, also known as Margo the Exotic. Memory Tricks is Marga's tribute to a bleach blonde, fem fatal mom who used to try to teach Marga to be a perfumed lady, how to hold her pocketbook and glide, glide, glide on high heels. In a scene from a recent off-Broadway show, she remembers going on a picnic with her glamorous mom.

Let me tell you about the picnic. Remember the picnic, the one I sold my father out for? My mother promised that we would go that Sunday, right after church. I was so excited. I prayed extra hard in church. "Father, God, please, don’t let her see any stores on the way." When the priest said, "The mass is over. Go in peace," [snapping] I was gone. I ran all the way home, ran upstairs to my room, changed into my play clothes. That's what I wear all the time now, my play clothes. Then, I ran to my mother's room to see if she was awake. See, my mother couldn't go to church with me on Sundays. She was a good Catholic, but after a hard night of belly dancing, you need your rest.

In Memory Tricks, Marga talks about not wanting to grow up to be like her mom, who always wanted a Caucasian nose like Michael Jackson's. But she's found you can't escape your roots, even if they are dyed.

She'd sing all the time in the house, but she'd sing like this. [Singing] What a difference, la la la besame, besame la la She'd sing--She knew so many songs and none of the words. So that's sort of, the way I sing, too, so don't sit next to me at a rock concert. [Singing] I can’t get no la la la la la la.

Marga now lives in San Francisco where she began her adult career in show business with the feminist theater company, Lilith. She honed her comedy talents with the San Francisco Mime Troupe and is one of the original stand-up comics with Culture Clash. [Piano playing “I feel Pretty”] Not long ago, for the biennial celebration of New York's Whitney Museum, she performed her second show, "Marga Gomez is Pretty, and Witty and Gay", which deals with her sexuality.

[Piano playing] It has to do, some of it with my relationship and jealousy. My parents were very jealous of each other, and just because I'm not in a traditional relationship doesn't mean that I can't be dysfunctional. So, I talk about being a jealous girlfriend. I also have this little interlude where I'm reading from the Diary of Anaïs Nin, and I read from her Lost Diaries where she goes to Disneyland and has a tryst with Minnie Mouse.

Marga continues to do stand-up comedy and is reading for movie parts.

[background piano music] I've heard about a Frida Kalo project, and I'd like to do that because I got the eyebrows and everything, little mustache too. I'll just stop bleaching that sucker.

This summer, marga Gomez is writing the screenplay of Memory Tricks for the PBS series "American Playhouse". For Latino USA, I'm Madalit Del Barco in New York.

Esperanza, or hope. It's said, that's one thing young people living in this day and age, often lack. But in San Antonio, Texas, a group of teenagers is creating theater that expresses a measure of hope for the future. Even amidst a reality of drugs, gangs, identity questions, and homelessness. Along with Lucy Edwards Latino USA's, Maria Martin prepared this report.

[Natural sounds, theater] Grupo Animo

It's the Friday afternoon at Fox Technical High School in San Antonio. The young members of the acting troupe El Grupo Animo, ages 13 to 18, have come together to start rehearsing their new production. The group's name derives from the Spanish word meaning spirit, energy, and a desire to inspire and the drama they're preparing is written and performed by the kids themselves.

[Natural sounds, theater] All the young women in the piece, over here.

Identity. [Natural sounds, theater]

The drama in production is called, "I Have Hopes, Hopes I Keep Sacred in My Soul." It's a series of vignettes, tales of young people, much like the members of El Grupo Animo, facing life's challenges and learning to cope.

It's about a young girl who gets pregnant and she has to tell her parents because both of us know so many girls who have already gotten pregnant and it's not looking better or anything.

I'm 17 years old, and I wrote about the homeless. So much we can learn from our people. They've gone through rough times, and by that, a lot of them are on the streets, and we don't even care about them.

I decided to bring up the issue of teenage homosexuality, because Hispanic, Mexican American families, it's harder for them to deal with it. There's a lot of tradition, and a lot of the tradition is built around the male role model and female role model, you know?

14-year-old Michaela Diaz, along with Guadalupe Covera and Victoria Rivera, are among the nine playwrights who make up El Grupo Animo. 16 year old Priscilla Valle wrote about a young gang member.

He's dealing with the pressures of being tied to his gang, but then wanting to get out and be free and lead the life that he wants to lead, that the gang doesn't allow him to.

You don't understand, what if they come after me? Babe, they know where I live.

They're tearing you apart. They mess around with people's lives like it's nothing. You can't be afraid to be who you are. Don't keep it down forever. I hate them!

It's really a lot of what's going on in their minds and in their lives, but they never have a place to talk about it.

Director George Emilio Sanchez of New York is working with the young playwrights and actors of El Grupo Animo.

It takes a lot of courage to be a young person. It takes a hell of a lot of courage to say, "Yeah, I'm young. I don't know everything, and I want to be alive." Boom. That to me is like heroic. I think individually, if you read the things they write, no, I don't think they have a lot of hope.

But still, say the kids, their stories do express hope as the title of their collective work indicates.

Even though we are, we're sad and depressed about it. I think there's always that bright side and that hope that we have, and that's just what the whole play is about.

That's why I think that the name of it, "I Have Hopes, Hopes I Keep Sacred in My Soul", is what we're using. They're not all happy plays with happy endings, but we're not trying to say that the whole world is terrible. You know, that everything's terrible, that there's no hope for anything. Even though we know what reality is, we still feel that there can be a change, that there will be a change, and if anybody, we'll be the ones who will do that. And that's our message, basically.

El Grupo Animo’s production of "I Have Hopes, Hopes I Keep Sacred in My Soul," runs through July 17th at San Antonio's Guadalupe Cultural Arts Center. The Center's theater director, Jorge Pina, calls the troupe the next generation of Chicano Teatristas.For Latino USA with Lucy Edwards in San Antonio, I'm Maria Martin.

Diez. Nueve. Ocho. Siete. Seis. Cinco, cinco cinco. Cuatro. Tres. Dos. Uno.

The MTV Cable Network has just launched MTV Latino, a new 24 hours Spanish language music network distributed throughout Latin America and to some US cities.

[unintelligible 0:18:49] caballeros. Rock and roll.

Somos Aerosmith.

For years, the entertainment industry serving the Latino market was based either in Latin America or in Los Angeles, where non-Latinos controlled much of the business. But now the bulk of the Latino entertainment industry, like the new MTV Latino network, is based in Miami where Latinos are establishing their own turf. Melissa Mancini reports.

Miami ranked 16th in US media markets, but it's the number one location for the Latin entertainment industry, headquartering, Latin television, music and print trades. The reasons are simple. Nearly 60% of Miami's population is Hispanic and the city's location is convenient to Central and South America. In addition, Miami has more reliable air transportation and telephone service than its southern neighbors. With the whole of the Hispanic media located here, entertainment attorney David Bercuson says, "Miami is the premier stop for Latin recording artists and other entertainment figures promoting their current projects."

In addition to television, it's a center hub for a lot of Spanish media, print media. So with all those things working for it and the record companies, there's a lot of symbiotic relationship. The record companies are here, they send them right over to whatever magazine it is for interviews, and then they send them right over, it could be even be the same day, to one of the major networks for television exposure where they can do 3, 4, 5 shows at one network, and the next day do a number of shows at the other network.

As the US city with the Latin American flair, Miami offers another big payoff. The amount of money pumped into the national economy via Telemundo and Univision, the two major Hispanic television networks. A recent industry study shows that TV advertisements spurred Hispanics to spend $200 billion annually on consumer goods and services, and it's estimated that number will increase 40% by the year 2000. In addition to the television and print media, Miami is inundated with Hispanic radio stations, and it's here that other Latin stations throughout the US look to when they're charting music trends. David Bercuson says, "Miami's Betty Pino is one of the most important radio programmers for Spanish pop music."

And when she programs things on her lists, those lists are carefully watched throughout the country by other Spanish radio programmers. And even if their format is not totally pop, and they only play four or five or six songs that are pop, they'll look at these lists that are put out by this one station, this one program in particular, as persuasive and controlling.

Sony Discos. No, ¿quisiera- [unintelligible 0:21:48]

Sony Discos Is the Latin music heavyweight of record labels. Established about 10 years ago in Miami, Sony Discos was the first Latin label to sign artists such as Julio Iglesias and Gloria Estefan, allowing it to corner the market. Sony Discos vice President Angel Carrasco.

The record business for us, in the last five years, has been very profitable. We have grown a lot and we feel that Latin music now is getting recognition from other audiences. Europe, tropical music is very big, and then artists like Julio Iglesias and Gloria Estefan have helped us improve our image as far as [inaudible 0:22:30] is concerned. And that has opened up a lot different markets and different audiences that are buying our records.

And because Miami is still a fledgling in the entertainment industry, the city has not yet developed the hard edges associated with New York or Los Angeles. Nicaraguan born Salsa star Luis Enrique has been with Sony Discos for five years. Enrique literally walked in off the street and was handed a recording contract. He says before that he spent years trying unsuccessfully to meet with other music executives.

I tried to do it in LA and it was hard. It was really hard to open doors, and I remember I used to go and sit down on the sidewalk at A&M recording studios and try to talk to someone.

Latin music is a $120 million a year business in the US in Puerto Rico. Although it's estimated Hispanics makeup only 10% of the total market Sony Discos' vice president Angel Carrasco says the Latin market is strong and growing.

The future is wonderful. I think in the future you'll see a lot of crossover Latin artists getting more into the Anglo market and vice versa. Also the new breed of bilingual artists, not only has Gloria made it big, but also [inaudible 00:23:53], who was also a local Cuban born guy, also produced by Emilio Estefan, has made it big. And I think the most important pop music for the Latin market is going to come out of the United States in the future.

Sony Discos is one of about a dozen Latin music labels located in Miami. At least three additional record labels are said to be considering relocating here. In addition, VH1 and Nickelodeon, both owned by MTV networks, are said to be following MTV Latinos tracks into Latin America and South Florida. For Latino USA, I'm Melissa Mancini in Miami.

Pop rhythms and grungy glamour were the rule at a recent opening night party for MTV Latino. The party in Miami South Beach went late into the night as the global rock music giant MTV celebrated its move into 11 Latin American countries and the US latino market. Nina Ty Schultz was at the celebration and filed this report.

MTV Latino Americano. Wow.

MTV, la mejor música.

With hundreds of exotically dressed people crammed into one of South Beach's hottest nightclubs, MTV Latino is launched. There's as much Spanish as English in the air and as many models as musicians. It's all part of MTV's image of youth and ease and scruffy good looks. Take Daisy Fuentes, she's a model turned MTV host who will anchor the new show in Miami as the master of ceremonies here tonight, she's got the kind of bubbly, bilingual enthusiasm that MTV Latino wants to project.

Now we're really going to be in your face. I am talking Central America, South America, the Caribbean, and even in the USA in Español.

MTV will literally be in the face of 2 million viewers with another million predicted by the year's end. MTV's, CEO Tom Preston explained why it's all possible now.

We see that cable television industry exploding. As the media is deregulated, huge demand for alternative types of television services like an MTV.

That’s one small step for man, one giant leap for mankind.

He expects the business to be lucrative, not just for MTV, but for Latin American rock and pop stars as well. Gonzalo Morales from Mexico is one of the video jockeys for the show.

They're going to for sure promote their selves all over Latin America. I mean, 10 years ago it was impossible to think that they would be signing to into an international record company and selling the number of records they sell. Nowadays, rock and roll in Mexico, it's really huge now.

The rock groups here tonight come from all over. Maldita Vencidad from Mexico, Los Prisoneros from Chile, Ole Ole from Spain. But oddly enough, the first artist to perform is the not so Latin Phil Collins. That's no mistake. Over three quarters of the music on MTV Latino will in fact be from so-called "Anglo musicians". "That's what Latin teens want to hear," say MTV execs who feel they know the market after running a year long pilot show. Though they say programming may change depending on audience demand. For Latino USA, this is Nina Ty Schultz in Miami.

For now, in this country, MTV Latino can be seen in Miami, Tucson, Boston, Fresno, and Sacramento, California.