Annotations for Places: United States--massachusetts--cambridge

Certain instruments, like certain rhythms, are characteristic of Latin music. For instance, in Cuban rumba or salsa we hear instruments such as congas, bongos, and timbales. At the heart of Latin music are two simple wooden sticks known as the "clave". Without this simple instrument, Latin music would not be the same. From Boston, Producer Marta Valentín prepared this appreciation of Latin music.

[Salsa music highlight]

A few months ago, while out with an American coworker, I had a great experience while listening to Latin music at a small club here in Cambridge. As I am a Latin woman, it was obvious to me that we were listening to the music in different ways. After watching her tap to the wrong beat for some time, it occurred to me that I could point out an aspect of the music that would enhance her listening, get her tapping on the right beat, and thus make the night more enjoyable for her. [Latin jazz music]

[Latin jazz music] I asked her what she liked so much about Latin music, salsa and Latin jazz in specific. She told me, "The feeling that you get when listening to it. The pulse," she went on to say, "That feels like everyone's heartbeat is one, coming from the earth and reaching to the sky." I smiled, not only because I liked the metaphor, but also because I felt great pride in my music and my culture. I decided it was time to let her in on what that heartbeat is, the clave, or "key" as it is appropriately named, two sticks of wood that are banged together.

[Latin jazz music] In fact, the heartbeat of Cuban rumba and salsa music. That feeling she was referring to is known as the "clave feeling", and comes out of the five-stroke two-measure pattern that identifies it. [Clave sound] This pattern is perceived as a thymic clock that keeps the musicians on the same wavelength. However, when the actual claves are not present in a song, that feeling continues by virtue of melodic phrasing and percussion patterns. Although there are different claves, the two most popular are the Cuban clave, or rumba clave. [Clave sound] And the sone clave. [Clave sound]

As you can hear, the Cuban clave is a half beat later on the third stroke. Listen, Cuban. [Clave sound] And sone [Clave sound]. Although they sound almost the same, they aren't. That's why a musician's ability to not only play in clave, but distinguish the two, is not only attended, key to their success. Let's listen to a little Cuban rumba. This is “Orquestra Original de Manzanillo”, with Comenzó La Fiesta, the Party Has Begun. (“Comenzo La Fiesta Music highlight). In Cuba, the claves are considered to be one male, which is eight inches, and the other female, which is four inches long. Holding the female in a cupped hand, the male bangs against her middle repeatedly.

This gender designation comes from the African influence on the Cuban culture. It is interesting to note also that although the claves themselves are wholly Cuban, never having been found in Africa or Europe, the clave rhythm had permeated African music for centuries. The clave pattern is found in many different styles of music besides rumba and salsa. It is found in meringue, guaracha, danzon, cha-cha-cha, and even boleros. Here's Juan Luis Guerra's bolero,”Señales de Humo”, “Smoke Signals”. (Highlight “Señales de Humo”).

Finally, in salsa music, the clave is regarded as beginning as soon as the music begins, and continuing without interruption until the last note. Even when the music is silent due to rests or changes in the arrangement break the flow, the clave pattern is holding it all together and creating that clave feeling that my coworker loves so much. So next time you listen to Latin music, whether it be rumba, salsa, bolero, Latin jazz, whatever, try tapping along with the clave. It's simple when you can hear the actual claves, but then graduate to a more complex piece if you're up for the challenge.

Here's Seis del Solar, Una Sola Casa, One House. From Boston, I'm Marta Valentín. [Highlight “Una Sola Casa”).

It's been viewed by thousands of people in Los Angeles, Denver, Albuquerque, El Paso, Washington DC, and the Bronx in New York. Now the art exhibit known as the CARA show opens at its last venue of it's two year run in San Antonio. The exhibit examines the Chicano art movement of the 60s and 70s, through a wide range of multimedia, including posters, holograms, and altars. Latino USA's Maria Martin prepared this report.

[Tejano music background] The exhibit known as the CARA show, the acronym for Chicano Art Resistance and Affirmation, is the first-ever to focus specifically on Chicano art as opposed to Hispanic or Latin American art. Tomas Ybarra-Frausto, an art specialist with the Rockefeller Foundation and a member of the show's planning committee, calls the CARA show a landmark art exhibit which will put Chicano art on the map.

In the United States it's very difficult for Chicano art to get a hearing. First of all, because even today all the Latinos are lumped under the word Hispanic. And so, Chicano immediately separates out in a very particular way from that Hispanic rubric, which in a way many people, of course don't like because it means that it does away with your Indigenous and your African element, and only proclaims the European Spanish element. So, in that sense, because Chicano art is an art that fractures the myth of consensus, it's unknown.

[Natural sound, clapping] Playwright Luis Valdez, a member of CARA's National Honorary Committee, talked about the connection that Chicano art has with his pre-Hispanic roots.

The Aztecs had a term for growing up, for maturing, for living. All human beings in the process of their life acquired a face. And so, here the name of this exhibit, CARA, invokes this ancient concept. But it is not just the face of the Chicano community. It is not just the face of the Hispanic community. It is the face of America, and that is why I want to correct the usage of a certain title. I am not per se a Hispanic. I am a pre-Hispanic.

Officials at the San Antonio Museum of Art are hoping for a record turnout for the CARA show, which will be accompanied by a number of community events, and a low rider parade on opening day.